"A bracingly strange and sweet indie." Joshua Rothkopf, Sight & Sound (2020)

"A beautifully bizarre film whose considerable strangeness allows for sharp observations about family, loneliness and the terror of emotional intimacy, KAJILLIONAIRE is further proof of writer-director Miranda July's ability to bend reality to her will." Screen Daily

"Miranda July is one the most innovative and versatile American cross-disciplinary artists working today. As versed in video and performance as fiction and cinema, July exemplifies a playful sense of movement, fabulation, the surrealism of daily life, and the uncanny. In her previous films, such as "Me and You and Everyone Else" (2005) and "The Future" (2011), human relationships take quirky, exhilarating turns, and identity, particularly when it comes to female protagonists, is always prone to doubt and reassessment.
July's latest feature KAJILLIONAIRE once again centers on unconventional protagonists who come to question their intimate connections. Debra Winger and Richard Jenkins play petty swindlers down on their luck, who live in a bare office next to a bubble factory and barely scrape by from scams, such as stealing checks from the postal service. They’re helped by their nimble but socially ill-adapted daughter, Old Dolio, played with cool reserve by Evan Rachel Wood. Into this bizarre, emotionally stifled family, enters Melanie, a bubbly and earnest shopping-mall attendant, played by Gina Rodriguez, who proposes an audacious scam of her own. July mixes sardonic social critique with a blooming romance in a tale where California's vacant high-tech landscapes meet industrial doom." Ela Bittencourt, Viennale 2020

"Regisseurin, Autorin, Musikerin und Performance-Künstlerin Miranda July erzählt in KAJILLIONAIRE über eine bizarre, tragikomische Familie, deren Leben von Armut, Gefühllosigkeit und Härte gekennzeichnet ist: Robert, Theresa und ihre Tochter Old Dolio schlagen sich in Los Angeles mit kleinen Betrügereien durch. Bei einer ihrer Aktionen lernen sie Melanie kennen, deren empathiefähige Normalität einen ganz frischen Wind ins familiäre Gefüge des Trios bringt. Glänzend besetztes Melodram!" Falter Wien